My Opinion: Jón Gnarr - Icelandic Meat Soup Jon Gnarr skrifar 30. maí 2015 09:00 Nationalism seems to be on the rise in Iceland today. People talk much about the so-called national culture, and cite history. This is especially prominent in political debate. Strangely, the debate is rarely about what I find the most Icelandic of all: the gift of poetry itself and artistic expression. It is not tangible enough. The Icelandic national culture seems, for the most part, to evolve around corpulent men who once said something, about processed meat, and some peculiar type of arrogance. Everything natural is turned upside down, and it isn’t the water that hollows the stone, it is the stone that hollows the water with a loud splash. Tenderness is gutlessness and poets are slouches who should stop writing their worthless nonsense and get a job, preferably in meat processing. Importunity and aggression are considered a virtue. Gentleness and politeness are not necessary. Why stand and wait in a line like a moron when you can so easily jump the queue?Vikings It is often maintained that our ancestors were all great Vikings. That’s not quite true. A few Vikings came here, but it was young farmers, slaves and losers who formed the bulk of the settlers of Iceland. It was not considered prestigious to live in or come from Iceland. The Icelandic sagas, especially the Book of Settlements, are our main source of information about the settlement. The Icelandic sagas, however, are not quite trustworthy records. The scribes wrote them down after older oral sources. The sagas are marked by poetic inspiration and exaggerations. Even though they pretend to relate true events, there seems to be a lot there for other reasons than to reflect the truth. No-one really knows why these stories were written. To some extent it was done for political reasons. The first Icelanders were accused of being the descendants of slaves and villains. That’s what they were called in ancient times, but today they would probably be called quitters and losers. People wanted to refute this by writing long genealogies that made them the descendants of Norwegian chieftains. It was also important to secure legal ownership of land. There are few records about peasants and slaves. The sagas are written about a small upper class, and with their needs in mind. Much of it is even a complete lie. For example, I seriously doubt that Ingólfur Arnarson ever existed. I think he was made up, like many others, for the purpose of propaganda.No dogs no Irish! In the Icelandic sagas it is usually maintained that we are all descended from Norway. Examinations of our genome, however, show more Irish blood than was previously presumed. Research indicates that almost a third of the settlers came from the British Isles. And most of them seem to have been women. It could be argued that a majority of our foremothers were British. But our Gaelic heritage has died for the most part and succumbed to our ardor to make us Norwegian. That was considered respectable while everything Irish was shameful. The Irish influence has been disregarded, even obliterated. I think the prejudice against red haired people has been, and even still is, part of this. We redheads are living proof of our ancestry. Perhaps the Gaelic heritage lost because it was so connected to women. The soft and artistic, feminine nerve could not compete with the Norwegian artless and practical importunity. It is also the habit of barbarians to treat artist like losers. I am inclined to think that our ancestors were, for the most part, peaceful and thoughtful people who were running away from the macho madness and bullying of the Vikings. People came here looking for peace and security. I think many of these people were poets. Creative people are rarely brawlers. Therefore, Iceland was an ideal place for all kinds of dreamers. Our nation has one of the highest percentages of ADHD. We are an artistic people. Not everyone succeeds. Creative people often lean towards insobriety. Most criminals suffer from attention-deficiency and a large majority of prisoners committed their crime under the influence. Many criminals are misunderstood artists. And now, when Icelandic politicians are yet again rewriting the history of Iceland for their own advantage, I want to say that I am proud of being an Icelander and the descendant of Irish slaves and losers. I think it is about time that this neglected part of our history gets more attention. It deserves it, and I think it would be very good for us as a nation. In fact, nothing is all-Icelandic, except the language. This is the Icelandic national culture. And it is the Icelandic wretches and losers who have preserved it because they are so often the kind of people who like to prattle and tell stories until someone yells: “Shut up, you loser, and go to work!” Wishing you a good weekend and all kinds of everything for losers! Viltu birta grein á Vísi? Kynntu þér reglur ritstjórnar um skoðanagreinar. Senda grein News in English Mest lesið Værum við jafn andvaralaus ef þorskurinn væri í húfi? Halla Hrund Logadóttir Skoðun Er ég bara ónýtt kolefniseining? Jóhanna Malen Skúladóttir Skoðun Hvað er títt af Seðlabankastjóra og unnustu hans? Einar Steingrímsson Skoðun Hvert fara milljarðarnir og hver hjálpar fólki út úr neyslunni? Halldóra Lillý Jóhannsdóttir Skoðun Réttið upp hönd sem eruð á móti Gunnar Salvarsson Skoðun Þegar líkaminn særir egóið Sigurður Árni Reynisson Skoðun Halldór 10.10.2026 Halldór Hálf sagan um fjármagnstekjuskatt Björn Brynjúlfur Björnsson Skoðun Afkomuöryggi er forsenda listsköpunar Jóna Hlíf Halldórsdóttir Skoðun Tóm-stundar-iðkun Kristín Björg Viggósdóttir Skoðun Skoðun Skoðun Heita stríðið Halldór Jörgen Olesen skrifar Skoðun Er ég bara ónýtt kolefniseining? Jóhanna Malen Skúladóttir skrifar Skoðun Værum við jafn andvaralaus ef þorskurinn væri í húfi? Halla Hrund Logadóttir skrifar Skoðun Þegar líkaminn særir egóið Sigurður Árni Reynisson skrifar Skoðun Alþjóðlegi geðheilbrigðisdagurinn – Hlustum á raddir fólks með reynslu Helga Arnardóttir skrifar Skoðun Hvert fara milljarðarnir og hver hjálpar fólki út úr neyslunni? Halldóra Lillý Jóhannsdóttir skrifar Skoðun Réttið upp hönd sem eruð á móti Gunnar Salvarsson skrifar Skoðun Ríkið hefur gert sig að ritstjóra Sigríður Dagný Sigurbjörnsdóttir skrifar Skoðun Afkomuöryggi er forsenda listsköpunar Jóna Hlíf Halldórsdóttir skrifar Skoðun Tóm-stundar-iðkun Kristín Björg Viggósdóttir skrifar Skoðun Sjáðu þig - taktu eftir breytingum Birgitta Lind Vilhjálmsdóttir skrifar Skoðun Hálf sagan um fjármagnstekjuskatt Björn Brynjúlfur Björnsson skrifar Skoðun Geðheilbrigði - sameiginlegt verkefni okkar allra Snæfríður Jóhannesdóttir,Þórey Rósa Einarsdóttir skrifar Skoðun Í hverju felst virðing fyrir lífinu? Ingrid Kuhlman skrifar Skoðun Hvað er títt af Seðlabankastjóra og unnustu hans? Einar Steingrímsson skrifar Skoðun Ríkið stal þremur árum frá ungum föður og syni hans Íris Erlingsdóttir skrifar Skoðun Glassúrfólkið Ólöf Skaftadóttir,Kristín Gunnarsdóttir,Hjörvar Hafliðason,Birkir Karl Sigurðsson,Leifur Þorsteinsson,Þórarinn Hjartarson,Gísli Freyr Valdórsson,Gurrý Jónsdóttir,Lína Birgitta,Sólrún Diego skrifar Skoðun Hvenær á að segja upp kjarasamningum? Jónas Yngvi Ásgrímsson skrifar Skoðun „Raflítri“ Hvað kostar bensínlítraígildi? Sigurður Ingi Friðleifsson skrifar Skoðun Orð skipta máli Guðrún Jóna Guðlaugsdóttir skrifar Skoðun Tóbaksfyrirtækin eiga ekki að skrifa lögin Vala Smáradóttir,Jóhanna Kristjánsdóttir skrifar Skoðun Er ríkið að styrkja sveitarstjórnarstigið – en veikja undirstöður þess? Sigríður Hjaltadóttir skrifar Skoðun Að skattleggja fjarlægðir og búsetu fólks Jón Bjarnason skrifar Skoðun Ertu þroskaheft? Áslaug Þorsteinsdóttir skrifar Skoðun Börn eiga ekki að bera ábyrgð á vandamálum fullorðinna Elísabet Heiða Valdemarsdóttir skrifar Skoðun Hvað fær Ísland fyrir Seyðisfjörð? Ólafur Margeirsson skrifar Skoðun Gerum gott betra – þorum að horfa á allar hliðar Elísabet Reynisdóttir skrifar Skoðun Það gengur svo vel hjá okkur! Kristján Freyr Halldórsson skrifar Skoðun Hver er framtíð litlu hjúkrunarheimilanna á landsbyggðinni? Eydís Inga Sigurjónsdóttir skrifar Skoðun Skammsýni eða skynsemi? Skúli Mogensen skrifar Sjá meira
Nationalism seems to be on the rise in Iceland today. People talk much about the so-called national culture, and cite history. This is especially prominent in political debate. Strangely, the debate is rarely about what I find the most Icelandic of all: the gift of poetry itself and artistic expression. It is not tangible enough. The Icelandic national culture seems, for the most part, to evolve around corpulent men who once said something, about processed meat, and some peculiar type of arrogance. Everything natural is turned upside down, and it isn’t the water that hollows the stone, it is the stone that hollows the water with a loud splash. Tenderness is gutlessness and poets are slouches who should stop writing their worthless nonsense and get a job, preferably in meat processing. Importunity and aggression are considered a virtue. Gentleness and politeness are not necessary. Why stand and wait in a line like a moron when you can so easily jump the queue?Vikings It is often maintained that our ancestors were all great Vikings. That’s not quite true. A few Vikings came here, but it was young farmers, slaves and losers who formed the bulk of the settlers of Iceland. It was not considered prestigious to live in or come from Iceland. The Icelandic sagas, especially the Book of Settlements, are our main source of information about the settlement. The Icelandic sagas, however, are not quite trustworthy records. The scribes wrote them down after older oral sources. The sagas are marked by poetic inspiration and exaggerations. Even though they pretend to relate true events, there seems to be a lot there for other reasons than to reflect the truth. No-one really knows why these stories were written. To some extent it was done for political reasons. The first Icelanders were accused of being the descendants of slaves and villains. That’s what they were called in ancient times, but today they would probably be called quitters and losers. People wanted to refute this by writing long genealogies that made them the descendants of Norwegian chieftains. It was also important to secure legal ownership of land. There are few records about peasants and slaves. The sagas are written about a small upper class, and with their needs in mind. Much of it is even a complete lie. For example, I seriously doubt that Ingólfur Arnarson ever existed. I think he was made up, like many others, for the purpose of propaganda.No dogs no Irish! In the Icelandic sagas it is usually maintained that we are all descended from Norway. Examinations of our genome, however, show more Irish blood than was previously presumed. Research indicates that almost a third of the settlers came from the British Isles. And most of them seem to have been women. It could be argued that a majority of our foremothers were British. But our Gaelic heritage has died for the most part and succumbed to our ardor to make us Norwegian. That was considered respectable while everything Irish was shameful. The Irish influence has been disregarded, even obliterated. I think the prejudice against red haired people has been, and even still is, part of this. We redheads are living proof of our ancestry. Perhaps the Gaelic heritage lost because it was so connected to women. The soft and artistic, feminine nerve could not compete with the Norwegian artless and practical importunity. It is also the habit of barbarians to treat artist like losers. I am inclined to think that our ancestors were, for the most part, peaceful and thoughtful people who were running away from the macho madness and bullying of the Vikings. People came here looking for peace and security. I think many of these people were poets. Creative people are rarely brawlers. Therefore, Iceland was an ideal place for all kinds of dreamers. Our nation has one of the highest percentages of ADHD. We are an artistic people. Not everyone succeeds. Creative people often lean towards insobriety. Most criminals suffer from attention-deficiency and a large majority of prisoners committed their crime under the influence. Many criminals are misunderstood artists. And now, when Icelandic politicians are yet again rewriting the history of Iceland for their own advantage, I want to say that I am proud of being an Icelander and the descendant of Irish slaves and losers. I think it is about time that this neglected part of our history gets more attention. It deserves it, and I think it would be very good for us as a nation. In fact, nothing is all-Icelandic, except the language. This is the Icelandic national culture. And it is the Icelandic wretches and losers who have preserved it because they are so often the kind of people who like to prattle and tell stories until someone yells: “Shut up, you loser, and go to work!” Wishing you a good weekend and all kinds of everything for losers!
Skoðun Alþjóðlegi geðheilbrigðisdagurinn – Hlustum á raddir fólks með reynslu Helga Arnardóttir skrifar
Skoðun Hvert fara milljarðarnir og hver hjálpar fólki út úr neyslunni? Halldóra Lillý Jóhannsdóttir skrifar
Skoðun Geðheilbrigði - sameiginlegt verkefni okkar allra Snæfríður Jóhannesdóttir,Þórey Rósa Einarsdóttir skrifar
Skoðun Glassúrfólkið Ólöf Skaftadóttir,Kristín Gunnarsdóttir,Hjörvar Hafliðason,Birkir Karl Sigurðsson,Leifur Þorsteinsson,Þórarinn Hjartarson,Gísli Freyr Valdórsson,Gurrý Jónsdóttir,Lína Birgitta,Sólrún Diego skrifar
Skoðun Er ríkið að styrkja sveitarstjórnarstigið – en veikja undirstöður þess? Sigríður Hjaltadóttir skrifar
Skoðun Börn eiga ekki að bera ábyrgð á vandamálum fullorðinna Elísabet Heiða Valdemarsdóttir skrifar
Skoðun Hver er framtíð litlu hjúkrunarheimilanna á landsbyggðinni? Eydís Inga Sigurjónsdóttir skrifar